I just watched Diebuster, and I was incredibly pleased with it in every way. It was just a fantastic Super Robot show, one that blended truly amazing visuals with fun characters, hype moments, and a simple plot. It reaffirmed how good Gainax once was, and it really made me happy that I’ve started to go back and look at a bunch of classic anime. But what stands out the most is how it’s a sequel to Gunbuster, a show I had watched just one day before, and the ways in which it managed to be a satisfying sequel to a show widely regarded as one of anime’s great classics.
So you’ve recently found my blog, or you’ve been here for a while and want to look at some of my past work. I understand that it can be hard to navigate through all of my posts, and plenty of my past stuff is pretty garbage, so I don’t really want anyone to read it anyway. For that reason I decided to make this post, cataloging my favorite posts and providing short descriptions of them, an idea I stole from Thoughts That Move.
Here’s how this will go. I’ll link to a post or a series of posts that I think are worth reading, and below I’ll give a short description of what the post is about and why I think it has value. The ones which I think are particularly valuable will have their titles in bold and a star next to the title. The order will be roughly chronological. Let’s get to it.
I think it’s clear that there isn’t much yuri anime. Sure, there’s plenty of yuri subtext in anime, and I’m glad for that, but actual yuri series are few and far between. It’s getting better, especially if you include shows where the relationships are blatant and reciprocated even if they’re not quite textual, but still, there’s a long way to go. Given that, I think we need to look at why so little yuri anime gets produced, because I think it’s important to those who want to understand the genre as a whole.
There’s a stereotype that animation is for kids, and it’s been a burden. People use that stereotype in order to devalue animation, causing others to defend the medium by pointing to examples which aren’t made for kids. That’s all well and good, but it tacitly accepts the idea that media made for kids is less valuable than media made for teenagers and adults, and I don’t agree with that in the slightest. I love kids shows, and my recent watch of Heartcatch Precure confirmed that. I think more people should watch kids anime, and I’ll explain why, with Heartcatch as an example.
I haven’t made a post in a little while, and there’s a number of reasons for that. I spent the last week on Spring Break, mostly paying Persona 5. In order to do that I put a TV in my room, and that combined with my 60 or so hours of P5 made me realize that I needed to make some massive changes to my media consumption, and with it some changes to this blog.
MAJOR Spoiler Warning for Nier Automata. Usually I wouldn’t do this, but this is an incredible game that everyone should play themselves if possible. Please only read if you’ve beaten the game or don’t care.
Nier:Automata has a lot of things going for it. It has excellent gameplay, great themes, fun characters, and it manages to merge all of those elements well. People might dislike some of those, but one thing everyone agrees on is that it uses sound excellently. Not only is the soundtrack itself one of the best I’ve ever heard in a game — something it shares with the first game — but the actual way the songs are used is excellent as well.
One OST I frequently find myself returning to even when I’m not thinking about the show is that of Gatchaman Crowds. Composed by the masterful Taku Iwasaki, it manages to succesfully convey a wide range of emotions, primarily using electronic sounds in order to create songs which often fit into genres like EDM. That said, it’s quite varied, presenting opera-esque songs as well. I’ll go into a few of the songs I like from this OST, and why I like them.